Sunday, August 10, 2014
The Art of the Cover
Sunday, July 27, 2014
Road Blocks and Pondering's
As I sit here writing this blog
today there have been three main thoughts dominating my mind, well at least as
it pertains to the world of music. How do you get people to care about and
excited to see a band/artist that they’ve never heard before? Is it possible to
make a cover song/album that not only lives up to the source material, but also
just maybe, perhaps, surpasses it? What would it take for me to completely go
after this music thing? These are the questions that have been weighing on my
mind. For today I’m going to focus on the first question. Don’t worry though.
There’ll be more to come on the other questions.
How do you get people to care about and excited to see a band/artist
that they’ve never heard before?
Anything
that I do, I always do it with a huge vision and appetite for success behind
it, as we all should for any endeavor we take part in. Unfortunately, it
doesn’t always happen like that from the get go, and you have to build your way
up to it, step by step. Lately, I’ve been working together with a friend on a
project called Nine51. Our goal with this is to both build it up as venue for
artists/bands and to promote the artists/bands that perform at the venue. It
wasn’t long into the process that the quandary above began to make itself known.
Currently, we’re three events in at this venue. The first event went great, we
felt like we had some good momentum behind us, and then the second event
happened. The second event didn’t go nearly as well as the first, but
thankfully we were able to bounce back with the third event. Through it all,
that question continued to linger throughout my mind, and then it hit me.
There’s a company out there right now that has attacked this question head on, on
a much larger scale, and they have handled it “marvelously” (pun very much
intended).
If
you didn’t catch where I was going with this the company I’m talking about is
Marvel. Marketing wise Marvel is killing it with their entire, Marvel Cinematic
Universe (MCU), http://www.terakeet.com/market-like-a-superhero-what-content-marketers-can-learn-from-marvel-comics/,
but there’s no better example of that currently than their upcoming flick,
Guardians of the Galaxy. This was/is a little known property by most, and, with
the characters involved, seemed like a huge risk/gamble for Marvel. Marvel has
shown, with this property, that with consistent quality, working with talented
people, displaying a consistent message, and developing the brand as a whole
that you can get people exited and achieve great success.
Sunday, June 8, 2014
Versus
This
has been the legal scandal that has gripped the nation for the last month or
so. It has spawned two CNN specials, and has been the hot topic on sports radio
non-stop. This is the story of Donald Sterling. Sterling is the, soon to be
former, owner of the Los Angeles Clippers, an NBA franchise. Donald Sterling
found himself embroiled in controversy when someone leaked tapes of
conversations, he had with his girlfriend, V. Stiviano, to TMZ where he made
racist comments about African Americans in general, and Magic Johnson
specifically. That he made these comments were bad enough. The fact that this
leaked during one of the greatest first rounds in NBA playoff history was just
horrific timing. The backlash from these comments has been coming non-stop,
with the biggest being a potential strike not only by members of the Clippers,
but from players league wide. They refuse to play for a man they consider a
bigot, and they refuse to play in a league that would allow such bigotry. To
quell this potential player uprising and continued media backlash, Adam Silver,
the NBA’s commissioner, banned Donald Sterling for life from the NBA, fined him
the league maximum of $2.5 million, and promised to get Sterling to relinquish
his ownership and sell the Clippers.
This
is a story about Netflix vs Verizon, but it’s also about much more than that. Net
neutrality stands to perhaps change the way we consume the Internet altogether.
In this case Netflix has consistently blamed Verizon for deliberately slowing
down streaming towards their customers. Verizon claims that it’s Netflix’s
responsibility to ensure quality streaming and customer service. But as I
mentioned earlier this argument all centers around the FCC’s ruling on net
neutrality. Netflix is a big proponent and supporter of net neutrality. Verizon
is very much against that concept. Net neutrality is the idea/concept that all
content and usage of the Internet should be treated alike. Those that oppose
this concept, like Verizon, say that they should be able to charge by usage.
In
what’s seemingly becoming a trend, this is a story about a bigger company
attempting to bully another company into succumbing to their demands, to get
them that much closer to becoming a monopoly. Pretty much what this equates to
is that Amazon is attempting to bully publisher Hachette to accept their terms
for e-book pricing (retail and wholesale). To force Hachette’s hand Amazon has
put artificial delays on their books. They’ve made some of their titles
unavailable fro pre-order, increased the shipping time on books they already
have available, and have even blocked certain titles from showing up in search
the way that they should. Stephen Colbert, one of Hachette’s authors that this
affects, gives his take on this situation far better than I ever could…
Sunday, May 11, 2014
The Year That Changed My Life
Ten years ago I embarked on a year
and opportunity that changed my life forever. Back in 2004 I earned the
opportunity to become a member of Tops in Blue, (TIB). As a member of Tops in
Blue we traveled all around the world putting on a show and performing for our
troops overseas and nationwide. But Tops in Blue is so much more than that. One
of the lessons that priors, former members of Tops in Blue, try to engrain in
new members is to not go into TIB looking for what you can get out of it. They
tell you to go into the program prepared to give it your all, and you’ll come
out of it with so much more. I knew this would prove to be true because I had
already gained so much just making it to TIB.
There are some people that try for
years and years to make it to TIB. Some make it and some never do. I was
fortunate to have made it my first time out. The first step I had to take to
make it to TIB was to compete in the base talent show. This was one of the
first times that I had performed in front of a crowd all by myself. Needless to
say, I was nervous, and you could hear it when I played. But that was step one
of the performer in me emerging from out of my shell. Next up after that was
sending in my application and a video of me playing a couple songs in hopes of
being selected to compete in the Worldwide Talent Competition that determines
the members of that years tour. Worldwide is a whole different beast of a
talent competition. Before you got there you had to select what song you were
going to perform in front of a theatre full of people. At worldwide, in
addition to preparing for your performance, you had to audition in all the
other categories there. So while I was there to audition for the band, playing
my sax, I also had to do a vocal, dance, and variety audition. Basically
auditioning for TIB you had to leave all of your caring what other people think
at the door, or you just weren’t going to make it. I made it through all the
auditions and my performance, each one bringing something out of me I didn’t
realize I had, and a few weeks later I learned that I made it to the team!
As a member of the 2004 TIB team, in
addition to getting to travel around the world playing music, I received so
many valuable lessons, skills, relationships, and more thanks to this tour. I
always say that TIB was at the same time one of the hardest and most rewarding
things that I’ve ever done in my life. Even if I personally didn’t get anything
from TIB, which I did, the effect that I saw it have on our troops, especially
the ones in the dessert, made everything that we did and went through more than
worth it. But like I said I took so much away from my year with Tops in Blue. I
have friendships from this tour that will last a lifetime. I learned how to be
a performer, how to produce a show, how to lead a group, how to take charge of
the stage, how to work hard and to continue to push through until the task at
hand is complete, and much more. So there it is. 2004 is the year that changed
my life, and Tops in Blue is the program that was used to do it!
Won't you be my friend:
Facebook: https://www.facebook.com/jsmithwilliamsmusic
Twitter: https://twitter.com/jsmithwilliams
Instagram: http://instagram.com/jsmithwilliamsmusic
YouTube: Justin Smith-Williams
Won't you be my friend:
Facebook: https://www.facebook.com/jsmithwilliamsmusic
Twitter: https://twitter.com/jsmithwilliams
Instagram: http://instagram.com/jsmithwilliamsmusic
YouTube: Justin Smith-Williams
Sunday, April 6, 2014
Josiah James Interview
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| Josiah's latest EP. Coming to you soon! |
On
the journey to our dreams, especially as independent artists, we often learn as
we go when it comes to the business end of things. I asked Josiah about some of
the stories he’s experienced with his business dealings and working with other,
artists, bands, and musicians. When it came to touring Josiah often worked out
mutually beneficial arrangements with those that he toured with. He would often
work out deals with the other bands. Deals along the line of if it was their
tour maybe they’d get the guarantee at the door, but he would get to ride with
them on the tour, wouldn’t have to pay for gas, and he would make money from
album and merch sales.
Unfortunately
there are times when individuals in the industry use dirty tactics or tricks in
their dealings, and we learn very quickly that we need to protect ourselves in
this business. Josiah recalled a time with a certain band. They were in a hotel
room. While they were in their hotel room Josiah was working on a potential new
song, with the other band in the room. He didn’t see a reason to not trust
these guys, but they ended up trying to steal the song, and claim as there own.
It took a lot of backtracking, going through voice memos and such to prove that
the song was his work. For a while Josiah didn’t think that he would get to
release this new song to the public, but eventually he was able to prove the
song was his. That’s just one of the dirty tactics that independent and major
label artists might have to face in this industry.
As an independent
artist there are times when there just isn’t a lot of money to bargain with.
Sometimes you have to just find musicians that are just down to help you, and
can work with what you can afford. That’s the case for Josiah. He has a set
amount that he can work with. Sometimes he can do a little bit more than that,
but if there’s a musician that just wants more and more money he has no qualms
with not using them. In fact there are times where he’s worked not using a band
into his live show. During a live show Josiah will create a full song right in
front of his audience. Using his acoustic guitar and a live looping technique,
Josiah will layer guitar parts, percussion, and his voice and create a whole
song live in front of the crowd. I’ve never seen it, but it sounds pretty
amazing to me, and it’s easy for me to understand why there were so many people
in my circle raving about this guy before I ever met him.
Josiah James
epitomizes the new school independent artist. He does it on his own when he has
to, and he has expertly engaged his audience using social media. Over the years
he has amassed thousands of fans that have supported his music, and he has
exemplified living the dream!
For more on Josiah James you can
check him out on his website www.josiahjames.com,
and on social media outlets everywhere:
Facebook: www.facebook.com/josiahjamesofficial
Twitter: www.twitter.com/josiahjames
Instagram: @josiahjames
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